8/6/2023 0 Comments Hdrtist for mac![]() All of us admired Mac’s come-as-you-are, no fuss presence, and his acutely observational way of moving through the world. Sophie Appel and Cole Solinger, who run the art space Delaplane in the Mission, were close to Mac in recent years. I met Mac in my mid-20s, and I am not the only young person with whom he built an intergenerational friendship. Mac McGinnes and the author, Maddie Klett. He gave her sons frogs, which led to a fixation with cold-blooded creatures that has continued into their adulthood (one has a six-foot-long iguana). Artist Amy Trachtenberg, who met Mac working at Philippe Bonnafont Gallery in North Beach in the 1980s, says Mac became a fixture in her family’s home. Arriving in boots and army fatigues, Mac took Vincent to nearby stock car races. Vincent Katz, who Mac met through his parents Alex and Ada Katz, remembers Mac visiting his family when his father did a residency in West Virginia. But even as a high-culture polyglot, that wild, swampy Florida boyhood never left him. ![]() Artist and friend Ajit Chauhan recalls Mac saying he was on the street when Trisha Brown performed Man Walking Down the Side of a Building in 1970.Ī familiar face at art openings and poetry readings, and a producer for the Poets Theater, Mac loved how creative worlds intersected in San Francisco. ![]() He knew the now-lauded greats and had opinions about them, remarking how performances by Vito Acconci or Jack Smith, now considered the gods of the downtown scene, were “incorrigible” (said with an eye roll). Working at Fischbach Gallery in New York the 1960s and 70s he inhabited avant garde poetry and art circles. This isn’t to say Mac’s story isn’t remarkable. It feels redundant to go further into the facts of his 82 years, as he made a point to speak and write about his personal history in two pieces for SFMOMA’s Open Space: A 2018 interview with curator and friend Constance Lewallen and a short account of his childhood on the WWII homefront. always warm and a lot of wine.”īorn in 1939 in small-town Florida, Mac made his way to New York and Chicago to work gallery and theater production jobs before landing in San Francisco in the 1980s. They were, he says, “always lovely and exciting-sometimes old acquaintances and sometimes strangers. His arrangements were like his dinner parties, and Jacobsen recalls the combinations of people as similarly intentional. Chris Johanson’s scrappy, tongue-in-cheek renditions of urbanites and loud text works by Cliff Hengst lived on the main bedroom walls, with Guyer’s talismanic drawings positioned nearby as quiet observers. Murray’s illegible, mystical scrawl hung next to his bed. A Joe Brainard collage was in his bathroom above the hand towel. Mac knew many of the makers, and arranged artists (via their art) in conversation with one another. A view of Mac McGinnes' apartment, with the Alex Katz painting at left. Save for the self-portrait by Alex Katz centered on one of those turquoise walls, his collection covered these colorful backdrops salon-style. His bedroom walls were orange, his bathroom lime green, his kitchen yellow, and his living room a dark turquoise. Looking back, the prevailing characteristics of that Wattis Institute show-fragile, poetic, often smaller works on found paper, wood or other matter-persisted in Mac’s collection. I met Mac through the collection he built at his Turk Street home, when I borrowed his autoerotic Colter Jacobsen drawings second hand strokes 1 & 2 (2003) for the exhibition organized by my California College of the Arts curatorial practice class, Artwork for Bedrooms, in 2018. The San Francisco art collector, writer and culture enthusiast died in hospice on Jan. It isn’t worth your time if you have any premium HDR software and are happy with it however.“Mac’s apartment was a universe,” said artist Léonie Guyer when I phoned her a few days after our friend Mac McGinnes’ death. While you essentially have no customization options, the final results I received were pretty good for free, and it doesn’t get any easier than this to process HDR. If you are looking for free HDR software for a Mac, I personally think this is the best thing out there. While the image alignment for the most part isn’t bad, it is definitely not on par with some of the premium pieces of software. If you took a handheld shot, then you’re going to have a difficult time with HDRtist. I found the image alignment to be pretty hit and miss. They just want something that looks cooler than their friends traditional photos. ![]() This is for the iPhone set, or those that aren’t looking at every intricacy of a photo. However once again, this brings us back to the fact that this isn’t HDR software for diehard photographers. The colors are all over the place, but the detail in the bricks is pretty impressive.
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